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अथर्ववेद - काण्ड 20/ सूक्त 91/ मन्त्र 4
अ॒वो द्वाभ्यां॑ प॒र एक॑या॒ गा गुहा॒ तिष्ठ॑न्ती॒रनृ॑तस्य॒ सेतौ॑। बृह॒स्पति॒स्तम॑सि॒ ज्योति॑रि॒च्छन्नुदु॒स्रा आक॒र्वि हि ति॒स्र आवः॑ ॥
स्वर सहित पद पाठअ॒व: । द्वाभ्या॑म् । प॒र: । एक॑या । गा: । गुहा॑ । तिष्ठ॑न्ती: । अनृ॑तस्य । सेतौ॑ । बृह॒स्पति॑: । तम॑सि । ज्योति॑: । इ॒च्छन् । उत् । उ॒स्रा: । आ । अ॒क॒: । वि । हि । ति॒स्र: । आव॒रित्याथ॑: ॥९१.४॥
स्वर रहित मन्त्र
अवो द्वाभ्यां पर एकया गा गुहा तिष्ठन्तीरनृतस्य सेतौ। बृहस्पतिस्तमसि ज्योतिरिच्छन्नुदुस्रा आकर्वि हि तिस्र आवः ॥
स्वर रहित पद पाठअव: । द्वाभ्याम् । पर: । एकया । गा: । गुहा । तिष्ठन्ती: । अनृतस्य । सेतौ । बृहस्पति: । तमसि । ज्योति: । इच्छन् । उत् । उस्रा: । आ । अक: । वि । हि । तिस्र: । आवरित्याथ: ॥९१.४॥
अथर्ववेद - काण्ड » 20; सूक्त » 91; मन्त्र » 4
Subject - Brhaspati Devata
Meaning -
Brhaspati, master of language, wishing for the light of knowledge and expression in the midst of the darkness of the web of the world of mutability, expresses the two upper levels of language, i.e., madhyama and vaikhari, which he expresses by two media of thought and word, and the one hidden below, i.e., Pashyanti, he apprehends through one, the deeper mind in meditation. Thus he reveals the three modes of language. (The fourth is Para, the silent mode of language in its originality beyond the world of mutability which can be realised in the highest state of Samadhi.) Brhaspati, master of language, wishing for the light of knowledge and expression in the midst of the darkness of the web of the world of mutability, expresses the two upper levels of language, i.e., madhyama and vaikhari, which he expresses by two media of thought and word, and the one hidden below, i.e., Pashyanti, he apprehends through one, the deeper mind in meditation. Thus he reveals the three modes of language. (The fourth is Para, the silent mode of language in its originality beyond the world of mutability which can be realised in the highest state of Samadhi.)